VISION RIDDIM produced by LIVE MB MUSIC 2015
Vision Overview
If you enjoy roots reggae, you probably remember the Vision Riddim from 2015. This project stands out as a favorite for many reggae fans. Produced by LIVE MB MUSIC, Vision Riddim brought together some of the most respected names in the scene. LIVE MB MUSIC is known for promoting conscious reggae and helping new voices reach wider audiences. The riddim itself is classic roots reggae, but it also blends well with elements from other genres. You can hear touches of dancehall, especially in the way the drums and bass move. There are even hints of modern reggae fusion, which helps the riddim appeal to younger listeners and fans of different styles. Each artist brings their own message and style. Capleton’s “Where There Is Love” delivers a strong call for unity and respect. Dotta Coppa’s “Love Like This” adds a vibrant, youthful energy. Fantan Mojah’s “Nah Vote Again” is a powerful statement about politics and society. Jah Mason’s “Where There's Faith” inspires hope and strength. Khago’s “Racist” tackles social issues head-on, showing how reggae can speak about real struggles. Other artists also shine on the riddim. Sizzla’s “Yes You Can” is uplifting, while Stein’s “Can't Hold Me Down” is all about resilience. Teflon’s “Strong” gives a message of empowerment. Terry Ganzi teams up with Action K for “When Are You Coming Home,” and Unstoppable Fyah’s “I Am Bless” is filled with gratitude. Vision Riddim remains important in reggae history. It shows how classic reggae rhythms can mix with new ideas, and how artists and producers like LIVE MB MUSIC keep the music fresh and meaningful.
Vision Tracklist:
- Capleton – Where There Is Love
- Dotta Coppa – Love Like This
- Fantan Mojah – Nah Vote Again
- Jah Mason – Where There’s Faith
- Khago – – Racist
- Sizzla – Yes You Can
- Stein – Can’t Hold Me Down
- Teflon – Strong
- Terry Ganzi Ft. Action K – When Are You Coming Home
- Unstoppable Fyah – I Am Bless
Releases Similar to Vision Riddim – Live Mb Music
Research and editorial by Riddimz Kalacta & Goltem, sourcing from physical vinyl labels, Discogs, ReggaeFever, Riddim-ID, DancehallMag, and other trusted archives.