OVERPROOF RIDDIM produced by the late Justus Arison for JA PRODUCTIONS in 2011
Overproof Riddim Tracklist:
- Supahype – Gone
- Daniel Beddingfield – Sometimes You Just Know
- Mavado – Settle Down
- Beenie Man – Let’S Go
- Devina Burn Feat. Macka Diamond – You Like It
- Khago – Tun Up Di Ting
- Wayne Marshall Feat. Kurrup Aka Uncle Mucks – Right Back
- Shurwayne Winchester – Wine On It
- Justus Arison – Overproof Version
- Aidonia – Caribbean Girls
- Vision – So Wet
- Munga – Party Hard
- Tifa – Dash Out
- Navino – Chillin’ Time
- Demarco – Nuff Gal
- Gyptian – All Over
- Keely B – Drinks Up
- T’Nez – Nah Leave
- Baby Tash – Nah Settle Down – Mavado – Counteraction
- Mr G. & Chico – Fren Killa
- Stein – Party Hard
- Kiprich – Real Swagga
- Elephant Man – Dat Me Seh
- Lady Saw – Love Sick
- Sean Paul & Zia Benjamin – Standing There
- Bounty Killer – Just A Sing Bout Gal
- Supa Hype – Shake Her Breast For Me (Remix]
- Instrumental – Ja Production
- Konshens – Bad Gal
The Overproof Riddim: A Dancehall Classic by JA Productions
In the summer of 2011, JA Productions, led by producer Justus Arison, unleashed the *Overproof Riddim*, a dancehall masterpiece that continues to resonate with fans over a decade later. This high-energy riddim, characterized by its infectious rhythm and pulsating bassline, became a defining sound of its era, showcasing some of Jamaica’s biggest talents and cementing its place in reggae and dancehall history.
Released in August 2011, the *Overproof Riddim* boasted an impressive lineup of artists, each bringing their unique flair to the track. Aidonia’s “Caribbean Girls” celebrated the vibrancy of island women with a raw, captivating edge, while Mavado’s “Settle Down” delivered his signature melodic intensity. Tifa’s “Dash Out” added a fierce feminine touch, and Khago’s “Tun Up Di Ting” turned up the party vibes. Beenie Man, the King of Dancehall, contributed “Let’s Go,” a track brimming with his unmistakable charisma, and Munga’s “Party Hard” kept the energy relentless. Other notable contributions included Wayne Marshall’s “Right Back,” Gyptian’s “All Over,” and Sean Paul’s “Standing There” alongside Zia Benjamin, rounding out a roster that spanned styles and generations.
The riddim’s versatility was key to its success. It blended traditional dancehall elements with a modern, polished sound, making it a staple in clubs, street dances, and radio airwaves worldwide. JA Productions’ decision to release multiple versions, including a soca remix and a “Part 2” edition with additional tracks like Tiana’s “Bruk Out and Whine,” kept the riddim fresh and relevant throughout 2011 and beyond. The instrumental, credited to Justus Arison, also stood alone as a testament to the production’s quality, offering DJs and selectors a canvas for endless creativity.
The *Overproof Riddim* wasn’t just a collection of songs—it was a cultural moment. It captured the spirit of 2011 dancehall, a time when the genre was thriving with bold experimentation and global appeal. Its legacy endures, with fans still reminiscing about its impact, as seen in nostalgic posts on platforms like X. For JA Productions, it marked a high point, later inspiring offshoots like the *Master’s Blend Riddim*, proving that *Overproof* was more than a hit—it was a foundation for future classics.