GRINDING RIDDIM produced by K.LICIOUS MUSIC 2004
Grinding Overview
Grinding Riddim, released in 2004, is known for its energetic and rebellious dancehall style. The riddim’s hard-hitting beats and fast tempo gave it a powerful mood that fit perfectly with the dancehall scene of the early 2000s. It encouraged bold dance moves and brought a raw, streetwise energy to the clubs. Several big names helped make Grinding Riddim a standout. Bounty Killer’s track, Bounty Killer — Nah Nuh Mercy, is a fierce anthem that matches the riddim’s tough attitude. Bounty Killer also teamed up with Jagwa for Bounty Killer Feat Jagwa — No Gal, a track that adds even more fire to the lineup. Jagwa - No Gal — No Gal continues the theme, keeping the rebellious spirit alive. Other artists brought their own style to the riddim. Bud — Cry stands out with its emotional delivery, while Chico — Lock The Ends adds another layer of intensity. Delly Ranks Feat Voicemail — She Want It and Voicemail - She Want It — She Want It bring catchy hooks, and Elephant Man — We No Play keeps the energy high. Kimberly — You Want Me and Major Damage — Dem Fi Know round out the selection, each adding a unique voice to the riddim’s story. The mastermind behind Grinding Riddim is K.LICIOUS MUSIC, a respected producer and label in the dancehall world. Known for working with top artists and creating memorable riddims, K.LICIOUS MUSIC helped shape the sound of early 2000s dancehall. Grinding Riddim remains a key part of dancehall history, remembered for its bold style and lasting impact.
Grinding Tracklist:
- Bounty Killer – Nah Nuh Mercy
- Bounty Killer Feat Jagwa – No Gal
- Bud – Cry
- Chico – Lock The Ends
- Delly Ranks Feat Voicemail – She Want It
- Elephant Man – We No Play
- Kimberly – You Want Me
- Major Damage – Dem Fi Know
- Mr Easy – If Its Alright
- Notch – Say What
- Tanto Metro And Devonte – Burn
- Tok – No Way Jose
- Voicemail – Bounce Hard
- Wayne Marshall – Life Of A Thug
- Wayne Wonder – Everyday
Releases Similar to Grinding Riddim – K.Licious Music
Research and editorial by Riddimz Kalacta & Goltem, sourcing from physical vinyl labels, Discogs, ReggaeFever, Riddim-ID, DancehallMag, and other trusted archives.