Pinchers is the stage name of Delroy Thompson, a Jamaican reggae
and dancehall singer whose clean melodic style helped keep the
singers’ side of dancehall alive through the 1980s and 1990s. Born
in Jamaica, he first recorded as a teenager for Blue Trac Records
before spending time in the UK in the mid-1980s, a period that
helped shape the career that followed. He began making his name in
1986 with songs like “Borrow No Gun,” and soon followed with a run
of strong singles including “Eat Man,” “Jailhouse Hot,” and
“Abrakabra.”
His breakthrough came with “Agony,” the title track from the album
produced by King Jammy, which established him as more than a
one-hit voice. Around the same period, he cut Mass Out, a record
backed by some of Jamaica’s best-known studio musicians and
produced by Philip “Fatis” Burrell. By the early 1990s, Pinchers
had settled into the part of the dancehall scene that favored
strong hooks and hard-edged street storytelling, and “Bandelero”
became the song most closely associated with him. Later tracks such
as “Carpenter,” “Call Upon Mi God,” and “Cross Them Bridge” kept
his name in rotation.
His work has often been grouped with the era’s melodic singjays,
artists who balanced DJ-style delivery with a more traditional
vocal feel. That made him a natural fit for the King Jammy sound,
but also for producers looking for a singer who could ride
heavyweight rhythms without losing clarity. He has remained active
over the years, including recent performances and new recordings,
while continuing to be remembered for the classic early cuts that
built his reputation.
In January 2015, Thompson was among several people shot in
Queenborough, Jamaica; he survived but suffered broken bones. It
was a serious setback, but not the defining feature of his story.
Pinchers is still best understood as a durable dancehall voice with
a catalog anchored by memorable singles, a steady work ethic, and a
sound that bridged the tougher edge of the genre with a more
tuneful, accessible approach.


























