Dancehall

Hotti Hotti G-Spot Riddim – Del Productions

89 BPM · 8A 2011 Dancehall 19 cuts

Hotti Hotti G-Spot Tracklist:

I-Octane – What’s Up
Elephant Man – Position
It Less – It One
Silvercat – Sex In The City
Lady G – Good Loving
Sizzla – World Without End
Waring King & Marshall Abruno – Dancehall Sweep
Vybz Kartel – What We A Fight Forvybz Kartel
Harry Toddler – Wash Belly
Anthony B & Famous Face – African Pose
Jason Sweetness Tornado & De-Javu – Party Time
Ernest Wilson – Experience Lover
Roundhead – Have It Like That
Determine – Lonely Is The Night
Culture Blacks & Chrissy Mai – No Do Me Dat Girl
Jahtamic – What A Go On
Taranthriller & Little Kirk – Loverman
Teacher U – Work Off Your Body
Culture Lion – Clarendon

Listen to Hotti Hotti G-Spot

Released in 2011 on Del Productions, Hotti Hotti G-Spot Riddim sits in that early-2010s stretch where dancehall juggling still chased club play and sound system pull with a heavy, waistline-forward groove. The release is credited to Royland Golding, and the Del Productions name already shows up on earlier dancehall material, including Lady G’s Good Loving and the Jason Sweetness, Tornade, Dejavû Party Time pairing from the 2000s.

The riddim itself moves with a bright, rubbery bounce rather than a dark bashment edge. It’s built for party lyrics, flirtation, and body talk, which is exactly where cuts like Elephant Man’s Position, Silver Cat’s Sex In The City, and Lady G’s Good Loving land. Elephant Man brings his usual high-energy, crowd-moving delivery, while Lady G’s cut gives the set a veteran female voice with direct, no-nonsense charm. Vybz Kartel’s What We A Fight For pushes the project toward sharper confrontation, and I-Octane’s What’s Up adds his smoother, melodic tone to keep the juggling from feeling one-note.

The lineup is deep and varied: Sizzla, Harry Toddler, Anthony B, Roundhead, Determine, Ernest Wilson, Little Kirk, and others all add different shades, from rootsy authority to straight-up dancehall patter. That range is what gives the riddim its appeal. It feels like a snapshot of the era when a single rhythm could carry old-school voices, street-level DJs, and crossover names without losing its footing.