THE ARMOUR RIDDIM produced by MAXIMUM SOUND 2015
The Armour Overview
The Armour Riddim stands out as a roots reggae classic, especially among fans who love sound system culture. This riddim, released in 2015, captures the deep, steady bass and spiritual energy that are the heart of Jamaican dancehall sessions. The foundation of the riddim is built on traditional reggae instruments, creating a backdrop that selectors and DJs love to play through big speakers at dances and street parties. At the center of this project is MAXIMUM SOUND, a respected production label run by Frenchie. Since the 1990s, MAXIMUM SOUND has helped shape modern reggae and dancehall, working with both legends and new artists. Their releases often get strong support worldwide, with streams and radio play from Europe to the Caribbean. MAXIMUM SOUND is known for blending classic reggae roots with fresh, modern touches. The Armour Riddim brings together a powerful lineup of artists, each adding their unique voice. Williamz delivers “Jah Armour,” bringing conscious lyrics and a strong presence. Gappy Ranks offers “Picture On The Wall,” a song that connects deeply with listeners through its heartfelt delivery. Ras Demo’s “Sekkle Up The Score” brings energy and streetwise wisdom. Tarrus Riley steps in with “We Want Better,” a call for change and hope. Iba Mahr’s “Worries Tonight” soothes with its soulful tone, while Exco Levi’s “Yardman” celebrates roots and culture. Addis Pablo’s “Azania Rock” adds a melodic instrumental touch, and Gregory Morris closes with “Armour Dub,” giving the riddim a deep, echoing finish. This riddim is more than just music—it’s a piece of reggae history, still played in dances and loved by fans worldwide.
The Armour Tracklist:
- Williamz – Jah Armour
- Gappy Ranks – Picture On The Wall
- Ras Demo – Sekkle Up The Score
- Tarrus Riley – We Want Better
- Iba Mahr – Worries Tonight
- Exco Levi – Yardman
- Addis Pablo – Azania Rock
- Gregory Morris – Armour Dub
Releases Similar to The Armour Riddim – Maximum Sound
Research and editorial by Riddimz Kalacta & Goltem, sourcing from physical vinyl labels, Discogs, ReggaeFever, Riddim-ID, DancehallMag, and other trusted archives.