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Dancehall

Flava Riddim (2003) – G String Records

RW·111370 2003 Dancehall 18 cuts

Flava Tracklist:

  1. Capleton – What Its All About
  2. Chuck Fenda And Anthony Cruz – In The Ghetto
  3. Determine – Below The Waist
  4. General B – No Punchline
  5. Ghost – Cant Escape My Love
  6. Kiprich And Predator – Rise And Say
  7. Krazy Hype – Move Up Time
  8. Lady Saw – Video Light
  9. Makka Diamond – Nuh Run Down Man
  10. Patchy And Shadu – Talk About You
  11. Queen Paula – Tired
  12. Shamrock And Kirk Davis – Be Forever
  13. Singing Dread – Rastafari Never Fail
  14. Sizzla – Keep Her Bawling
  15. Spragga Benz – How Some Gal Ah Live
  16. Unknown – Floss Like Us
  17. Version – Flava
  18. Vybz Kartel – Over Di Years

Flava Riddim - G String Records

Flava Riddim arrived in 2003 on Lady G’s G-String imprint, a step that fits her move into production after years as one of dancehall’s sharpest female voices. The riddim sits in that early-2000s Jamaican sweet spot: clean, digital, and light on its feet, with a bouncing midtempo pull that leaves room for both hardcore deejay talk and melodic singing. It feels built for radio, sound system juggling, and late-night dancefloor rotation rather than rough-edged bashment aggression.

The lineup is wide, but the most telling cuts come from the names that already carried weight in the era. Capleton brings militant fire on “What Its All About, ” while Chuck Fender and Anthony Cruz turn “In The Ghetto” into a tougher social commentary piece. Lady Saw’s “Video Light” gives the riddim one of its most recognisable female turns, mixing sexuality and command in the way she did best. Macka Diamond’s “Nuh Run Down Man” keeps the energy playful and sharply voiced, and the Vybz Kartel cut “Over Di Years” points to the period when he was already becoming a major figure. General B, Ghost, Kiprich and Predator, Sizzla, Spragga Benz, and the rest help make the juggling feel like a real era snapshot rather than a one-off single.

What makes Flava interesting is how evenly it moves between conscience, badness, and pure party talk without losing its bounce. Lady G’s own production lane was already expanding by this point, and Flava lands as one of those early-2000s riddims that captures the sound of dancehall when every cut had to earn its place.

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