Doox Up Riddim – Boogy Rankss

Doox Up Riddim finds Boogy Rankss back in the groove-heavy soca lane he has been shaping across recent releases, with a producer tag that has become familiar around the island circuit and the diaspora too. He is a London-born, Harlem-raised Caribbean producer with roots in St. Kitts and Nevis and Belize, and his catalogue has been pushing a bright, percussive sound that sits comfortably between modern road-music energy and a more polished, crossover-minded finish. This one lands in 2026 and keeps that momentum going.

The riddim itself runs on a lively, dance-first bounce, and the title makes sense immediately once the percussion locks in. It has that quick-footed, waistline-friendly feel that soca fans will read as ready-made for fete rotations and road replay, with the production leaving room for the vocals to ride the groove rather than crowding them. The instrumental is clean and direct, and the whole thing feels designed for short, memorable hooks and easy pull-up moments.

The lineup is where the project gets its character. This Is Kash opens the conversation with “Chupid, ” bringing the sharp, contemporary Trinidad energy that has made him a recurring name in the current soca conversation. Pahjo’s “I Like” adds a UK link to the project and gives the riddim a different texture; he has been building as one of the more self-styled voices in the UK scene, and his presence helps widen the reach of the release. Jadel, one of Trinidad’s more reliable melodic soca voices, slides into “Call Meh (Ah Coming)” with the kind of singalong phrasing that usually travels well across Carnival season.

Lyrikal is the heavyweight name here, and “Doh Coward” feels like one of the cuts listeners will return to first. He has spent years as one of soca’s most recognizable voices, and his cut gives the riddim a little extra authority without changing its core mood. CJ Jook Dem’s “Arch Yuh Back” pushes the energy back toward hard-hitting party business, while Added Rankin closes with “Stushy Gushy, ” a title that already suggests the cheeky, crowd-facing side of the riddim. Taken together, the set plays like a compact but lively slice of 2026 soca: familiar enough to hit fast, but varied enough that each voice gets a clear lane.