Bubble Gum Riddim (2026) – Boogy Rankss

Boogy Rankss has been quietly building one of those modern soca catalogs that moves between artist releases and producer work, and Bubble Gum Riddim lands right in that lane. The project is tagged 2026 and centered on a bright, playful groove that feels made for the road and the jump-up, with the kind of elastic bounce that lets each vocalist swing a little differently over the same backbone. Boogy Rankss is the hand guiding the whole thing, and by this point his name already carries weight as both a selector of talent and a producer who likes his music vibrant, polished, and carnival-ready.

The lineup keeps the energy rooted in the eastern Caribbean and the wider soca circuit. Summa opens with Little Wukk, a title that points straight at dancefloor movement and waistline business. Anika Berry, the Trinidadian-American singer who has been making a strong run in the soca scene, cuts through with Ah Gone, and her voice tends to sit well in that space between melodic sweetness and confident jab-jab energy. Keerah’s Pure Bajan Sugar gives the riddim a Barbados touch, while SugahRhe’s Soca Playground sounds like the kind of chant that was written to ride a fete crowd. Rhea Layne’s Lookin’ Like Money adds a sharper, more glossy angle, pushing the riddim toward status, style, and Carnival flash.

What makes Bubble Gum Riddim work is the contrast between the title and the sound it suggests: sweet, sticky, and light on its feet, but still built for pressure in the dance. The instrumental closes the set in the traditional way, letting the production breathe on its own. Boogy Rankss keeps the mix lively enough for multiple personalities to land without crowding one another, and that is where the project gets its appeal: it is one riddim, but each cut feels written to catch a different kind of Carnival mood.