BASHMENT TIME RIDDIM produced by RVSSIAN
Bashment Time Overview
When Bashment Time Riddim arrived in 2018, it brought a fresh energy to dancehall. This release stood out because it gave new artists a big chance to shine. The riddim’s bashment flow—fast, rhythmic, and full of bounce—set it apart from other bashment releases of its time, which often used heavier bass or slower grooves. Bashment Time Riddim had a lighter, sharper sound that made it easy for artists to ride the beat with catchy hooks and clever lyrics. Chan Dizzy made an impact with “No Trouble Mi,” showing his smooth delivery and clear voice. Charly Black’s “Tan Tuddy” brought his signature playful style, while Christopher Martin’s “Mill On The Front” delivered a confident, melodic performance. Konshens with “Gal Tan Up” kept the party vibe strong, and Loumi’s “Jump On It” added youthful energy to the project. These tracks helped the artists reach wider audiences, and some like Loumi got their first real break in dancehall through this release. Behind the scenes, producer RVSSIAN played a key role. Known for his work with Head Concussion Records and for producing hits that cross borders, RVSSIAN guided the riddim with a focus on singjay style—a mix of singing and deejaying. His production style made the riddim appealing both in Jamaica and internationally. Even years later, the bashment flow of this release remains important in dancehall history. It opened doors for new talent and set a new standard for lively, replayable dancehall music.
Bashment Time Tracklist:
- Chan Dizzy – No Trouble Mi
- Chan Dizzy – No Trouble Mi (Radio Edit)
- Charly Black – Tan Tuddy
- Charly Black – Tan Tuddy (Radio Edit)
- Christopher Martin – Mill On The Front
- Konshens – Gal Tan Up (Radio Edit)
- Konshens – Gal Tan Up
- Loumi – Jump On It
- Savage – Whinning Work
- Shenseea – Position
- Shenseea – Position (Radio Edit)
- Tarrus Riley – Nuh One Alone
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Research and editorial by Riddimz Kalacta & Goltem, sourcing from physical vinyl labels, Discogs, ReggaeFever, Riddim-ID, DancehallMag, and other trusted archives.