Honorebel

He first drew wider attention with the 2009-era single “Now You See It (Shake That Ass),” recorded with Pitbull and Jump Smokers, which introduced him to a broader pop audience and set the tone for the crossover path he would continue to follow. From there, Honorebel became known for teaming up with artists across genres, working with names such as Sean Kingston, Tarrus Riley, Tessanne Chin, and others. Those collaborations have not been side notes in his career; they are central to it, reflecting an artist who treats reggae and dancehall as living forms that can travel, adapt, and absorb new influences without losing their identity.

Across the 2010s, he kept returning to projects that balanced local roots with international reach. Releases such as Above The Noise showed that approach clearly, with songs shaped for both reggae listeners and mainstream playlists. He later continued to experiment with newer sounds, including amapiano touches on recent work, while keeping his core identity anchored in Jamaican rhythm and melody. That ability to move between styles has helped him remain a familiar figure in contemporary reggae and dancehall circles, especially among listeners who follow the genre’s crossover edge.

On the site, his name appears alongside riddim-based releases such as Strange Things Riddim and Sweet Talking Riddim, which fits the way his music often lives inside a wider dancehall ecosystem rather than as isolated singles alone. Honorebel’s career has been defined by versatility, collaboration, and an ear for songs that can work in more than one market at once. He is, at heart, a crossover reggae artist with a distinctly Jamaican foundation and a clear instinct for where the genre can go next.