Grape Riddim (2016) – Dwala Productions

Grape Riddim keeps the cast tight, with just three vocal cuts and the instrumental anchoring a six-track set that moves between radio-friendly edits and the raw versions of Kes’ “The Highest” and Konshens’ “Tomorrow. ” The rhythm itself sits in that mid-tempo dancehall pocket with a clean, melodic pull rather than a bashment stomp, leaving room for the hooks to carry the weight. Konshens’ cut feels like the sharper street moment here, while Kes brings the smoother, brighter edge, and Faith Antoine’s “Give Ur Heart” closes the vocal side on a softer note. Dwala Productions keeps the whole thing lean and focused, and the instrumental at the end makes the project feel like a proper riddim package rather than just a loose single collection.