Parallel Riddim – Anson Productions

Parallel Riddim finds Anson Productions working a sleek, modern soca pulse that leans more toward late-night groove than straight carnival barrage, with Nailah Blackman’s “Baila Mami” and Preedy’s “Say Yea” carrying the whole thing. It landed in May 2017, and that timing matters because Nailah’s cut helped push her out as a solo voice with a sharper, more international edge while still keeping the Trini feel intact. Anson Soverall keeps the arrangement tight and uncluttered, letting the bass and melody sit close together instead of crowding the mix. With only two tracks on the set, the sequencing feels deliberate: one side for Nailah’s flirtatious, playful energy, the other for Preedy’s smoother, more romantic approach, so the riddim moves like a compact two-step conversation rather than a crowded compilation.