Take Control Riddim – Blakk Hyenaz Music Productions

Take Control Riddim comes through as a fresh 2026 dancehall juggling from Blakk Hyenaz Music Productions and YowLevite Productions, a pairing that points to a project with enough studio polish to sit comfortably in today’s digital dancehall lane. YowLevite has been pushing his name hard in the producer space, working across reggae and dancehall and linking up with established names while building out his own production brand. That matters here, because this riddim feels like the kind of record designed to travel through selectors, promo pools, and streaming playlists without losing its street edge.

The lineup is short but functional, with 1Khemis on “Money Odor, ” the S1niiestro and Its chrxss pairing on “Fun, ” Marley Don on “Bad, ” and Mugs on “Squeeze. ” 1Khemis has been active in modern dancehall for a few years now, and his cut suggests the kind of money-and-status talk that usually lands hard on a sharp, percussive rhythm. Marley Don has been on the radar since at least the late 2010s, and his inclusion adds some continuity to the project; he tends to work in that contemporary dancehall pocket where attitude and melody meet. Mugs has been particularly busy in 2025 and 2026, and his presence adds a current, forward-moving energy. S1niiestro and Its chrxss bring a more internet-native, cross-border flavor, which is interesting because their names alone hint at a younger, more experimental space in the dancehall ecosystem.

Sound-wise, Take Control Riddim reads like a tune built for forward motion: aggressive enough for dancing, clean enough for streaming, and structured to let each artist ride the pocket without crowding the beat. The titles suggest the usual dancehall ingredients — flex, bravado, romance, and street posture — but the real appeal is in how the voices are positioned against the rhythm. “Fun” should be the loosest, most playful cut, while “Bad” and “Money Odor” sound like the harder-edged entries. As a project, it feels less like a star-driven event and more like a producer-led dancehall release that is trying to build a lane through consistency, new voices, and a rhythm that can live beyond one spin.