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    Home » 1960s-80s Riddims Archive » 1960s-80s Reggae Riddims » Swell Headed Riddim – Various Labels

    Swell Headed Riddim – Various Labels

    By Shelly N.November 19, 2021
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    On this riddim

    • 2014 Top Reggae Riddims
    • 2014 Reggae Riddims
    • 1960s-80s Reggae Riddims
    • 34 cuts
    • 29 artists
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    Swell Headed Release Details

    • Riddim year: 1972
    • Style: Reggae
    • Total tracks: 34
    • Unique artists on riddim: 32
    • Production credits: VARIOUS LABELS 1972
    • Release date: 1972
    • Producer: Clement Seymour Dodd
    • Key artists on this riddim: Al Campbell, Anthony Malvo, Anthony Red Rose, Chronixx, Everton Blender, Freddie Mcgregor
    • Browse this riddim in year & database lists: 1960s-80s Reggae Riddims

    Swell Headed Riddim - Various Labels

    Swell Headed is one of those riddims that shows how a single Studio One pattern can keep finding new life across decades. The spine of it comes from Coxsone Dodd at Studio One, with Burning Spear’s original “Swell Headed” sitting at the root of the whole thing. That cut is the anchor, and the later versions keep returning to its same sturdy one-drop pulse, with a dry, driving bassline and plenty of room for the vocal to ride.

    What makes this compilation interesting is the way it jumps from roots-era vocals into later roots revival interpretations without losing the original shape. Burning Spear’s militant chant, Pablove Black’s “Dread Head, ” and U-Roy’s “Swell Head Skank” all point back to the same foundation from different angles. Barry Issac’s “Swell Headed” and “Swell Headed Dub” bring a more modern UK roots touch, while Freddie McGregor’s “Never Get Away” and “Never Run Away” show how easily the rhythm takes to a smoother, singalong style. Chronixx’s “World Under Siege” and “Di Youth Dem Freestyle” pull the riddim into the contemporary revival era with sharper conscious phrasing and a younger voice on an older frame.

    The project’s strength is its longevity. From Studio One beginnings to later versions on different labels, it captures the way reggae riddims travel, mutate, and keep speaking to new generations without losing their core feel.

    Swell Headed Tracklist:

    1. 01Al Campbell – Al Campbell - Hard Times
    2. 02Barry Isaac – Swell Headed Dub
    3. 03Barry Issac – Swell Headed
    4. 04Burning Spear – Black Disciples
    5. 05Burning Spear – Swell Headed
    6. 06Chronixx – Di Youth Dem Freestyle (2013)
    7. 07Chronixx – World Under Siege
    8. 08Clint Eastwood – Lend Me One Of Your Girlfriend
    9. 09Eek A Mouse Dubplate – Runaway
    10. 10Ernest Ranglin – Black Disciples
    11. 11Everton Blender – Live Up
    12. 12Freddie Mcgregor – Never Get Away
    13. 13Freddie Mcgregor – Never Run Away
    14. 14Hughie Izachaar – Swell Headed Melodica
    15. 15Hughie Izachaar – Thanks & Praise Version
    16. 16Jack Radics – Mr. Mention
    17. 17Jah Walton – Jah Walton Chant
    18. 18Kabaka Pyramid X Equikoxx X Channel One – Champion Sound (2014)
    19. 19Leroy Smart – Never Get Swell Headed
    20. 20Pablove Black – Dread Head
    21. 21Pablove Black – Push Pull
    22. 22Prince Far I – Give I Strength
    23. 23Rappa Robert – Slick Chap
    24. 24Redrose & Malvo – Never Get
    25. 25Reggae On Top All Stars – Swell Headed Dub
    26. 26Revolutionaries – Swell Headed
    27. 27Rod Taylor – The Lord Is My Light
    28. 28The Itals – False Preachers
    29. 29The Mighty Diamonds – Swell Headed (Dubplate)
    30. 30The New Establisment – Dub Rock
    31. 31Turbo Belly – Turbo Belly - Fire Fi Di Pope
    32. 32U-Roy – Swell Head Skank
    33. 33Various Artists – Jackie Mittoo & The Sound Dimensions - Jericho Rock
    34. 34Winston Jarrett – Survival Is The Game

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    2014 Top Reggae Riddims

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    Previous ArticleScrew Face Riddim – Tuff Gong
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    Shelly N.
    • Website

    Article writer and editor. Being raised in a music loving family, Shelley developed her love for music. She has worked in the digital space as a digital marketer for different industries. However, this has not deterred her passion for music as she has got to appreciate the uniqueness of dancehall and reggae. Having met people of different cultures through her college experience in India and at Africa University, she understands that people value different things and music is a part of people’s lives as it impacts each and everyone differently.

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