Tommy Lee Sparta x Feloni19 – Mayday

Tommy Lee Sparta and Feloni19 link up on “Mayday” with the sort of alarmist energy the title promises. Tommy Lee comes in as the veteran voice here, the Montego Bay deejay who turned his dark, Gothic-leaning style into one of dancehall’s most recognizable signatures. Feloni19, also out of Montego Bay, has spent the last stretch building heat as one of the city’s newer names, moving with the trap-dancehall generation but still keeping enough grit to hold his own beside a heavyweight.

The song itself plays like a warning shot. “Mayday” sits in that hard, propulsive pocket dancehall has settled into lately: lean drums, sharp low end, and enough space for both artists to bark, threaten, and trade energy without crowding each other. The mood is tense and street-minded, built for sound system pressure rather than radio polish. There’s no mistaking the tone; this is badman talk, not party sweetening. Tommy Lee’s voice naturally brings menace and theatrical weight, while Feloni19’s newer, rougher approach gives the cut a fresh edge.

Production credit goes to Uncle Recordz, Guzu Musiq, and Egypt Entertainment, a combination that makes sense for a record like this. Guzu Musiq has been tied to Tommy Lee’s catalog for years, from early projects that helped shape his post-Portmore Empire identity through to later releases that kept his brand moving. That link gives “Mayday” a direct line back to the artist’s core sound, even as the record feels current in its pacing and attack.

Feloni19 has been carving out space with singles and collaborations that have kept him visible in the dancehall conversation, and pairing him with Tommy Lee gives “Mayday” a useful crossover of eras. It’s a clash-adjacent collaboration that feels less like a novelty and more like a passing of the torch between two Montego Bay voices who understand the value of sounding dangerous.