PALAVE RIDDIM
Palave Overview
In 1995, the Palave Riddim brought a strong roots reggae sound to the dancehall scene. This musical backdrop was known for its deep basslines and rich, layered instruments. The arrangers made sure the music had a solid foundation, helping every artist shine. Compared to other reggae and dancehall riddims from the same era, Palave Riddim stood out for its warm, roots-inspired feel. Many recordings at that time used digital sounds and faster rhythms, but Palave Riddim kept a natural, classic vibe. Beenie Man’s track, “Selassie I Calling,” is a highlight on the riddim. Beenie Man was already a big name in reggae; in 1997, he won the MOBO Award for Best International Reggae Act. Ghost also added his smooth voice with “Baby Come To Me,” showing his skill for emotional singing. Natty Chris brought his own style to “Palave Riddim,” matching the roots energy of the music. The riddim was popular with Jamaican sound systems in 1995. DJs and selectors often played it at parties and street dances, where its heavy bass and lively beat kept crowds moving. The music arranger’s careful work made sure each song fit the riddim perfectly. Palave Riddim is a good example of how reggae music in the mid-90s could blend tradition with fresh energy.
Palave Tracklist:
- Beenie Man – Selassie I Calling
- Ghost – Baby Come To Me
- Natty Chris – Palave Riddim
Releases Similar to Palave Riddim – Mac Dada
Research and editorial by Riddimz Kalacta & Goltem, sourcing from physical vinyl labels, Discogs, ReggaeFever, Riddim-ID, DancehallMag, and other trusted archives.