Vylmark

The early part of his catalogue points to an artist rooted in the long tradition of Jamaican release culture. Songs such as “I Will Cry” and “Senseless Killing” show the range that has helped keep his name circulating among selectors and online archives: one leans toward a more emotional, conversational style, while the other sits in the heavier, tougher lane of dancehall. By the 2010s, his work was appearing on releases like The Black Power Jugglin and Computer Paul Presents Early Jugglin, Vol. 1 and Vol. 2, placing him in the orbit of producers and compilations that keep foundation dancehall in rotation.

That balance between old-school feel and current presentation remains central to Vylmark’s appeal. He is not presented as a crossover pop figure, but as an artist with a steady catalogue that rewards listeners who follow riddim culture closely. His songs have continued to surface in spaces that value selection and archive as much as freshness, including NTS playlists and digital stores, where tracks like “When You’re In Love” and “Tanisha” have helped keep his name active. The latter is part of the Wagonist Riddim family, while “When You’re In Love” reflects the more tuneful side of his work.

Taken together, Vylmark comes across as a dependable voice in modern dancehall: not flashy, but durable, expressive, and well suited to the kinds of compilations and riddims that carry the genre’s everyday life. His catalog suggests an artist who understands both the pressure and the feeling inside Jamaican popular music, and who keeps showing up where those two things meet.