Mykal Rose and Ras Mista Fyah link up on “Halla And Ball, ” a chant-heavy reggae cut released in 2026 through DubShot Records. The title reads like a streetwise warning, and the record carries that energy: tough-edged, militant, and built for sound system play rather than polished crossover gloss. Mykal Rose brings the unmistakable rasp and pressure of a veteran who helped define Black Uhuru’s roots-era authority, while Ras Mista Fyah answers from a younger generation with a sharper, modern delivery and a name already moving through contemporary reggae circles.

DubShot Records has been active since 2008, run out of New York by Chris “Mannix” Schlarb, and has carved out a lane for reggae, dancehall, and Caribbean releases that travel well in both digital and dubplate-friendly settings. That context matters here. “Halla And Ball” feels designed for selectors: a heavy groove, a forward-driving drum pattern, and enough space for the vocal lines to cut through cleanly. The mood is tense but still infectious, with the two voices trading energy over a rhythm that keeps the bassline prominent and the arrangement uncluttered.

What gives the single its pull is the pairing itself. Mykal Rose’s seasoned authority meets Ras Mista Fyah’s sharper, contemporary fire, and the contrast gives the song its bite. It sounds like a track made for dancehall heads who still want roots weight in the mix.