Detoxx Riddim - Notnice Records

Detoxx Release Details

Riddim year: 2013
Style: Dancehall
Total tracks: 12
Unique artists on riddim: 13
Production credits: NOTNICE RECORDS
Release date: 2013-06-17
Producer: Ainsley Morris (Notnice)
Key artists on this riddim: Alkaline, Beenie Man, Gappy Ranks, Jafrass, Jahmiel, Popcaan
Browse this riddim in year & database lists: 2013 Riddims List · 2013 Top Dancehall Riddims

Detoxx Riddim is a 2013 dancehall riddim that thrives on collaboration. Alkaline, Beenie Man, Doza Medicine contribute savage personality to energetic rhythms. NOTNICE RECORDS ties it together with percussion-driven, giving it unity. The riddim works as both a dancefloor filler and a deep listen. Straight fyah! Dancehall party vibes!

Notnice Records’ Detoxx Riddim landed in 2013 with the kind of streetwise energy the label has long made its calling card. The producer behind it, Notnice, was already established as a force in modern dancehall, with a run of hard-hitting work tied to some of the genre’s most visible names. This one sits comfortably in that lane: a tense, percussion-heavy juggling with a restless pulse and a grimy, party-ready edge.

The rhythm has that clipped, forward-driving feel that lets each voice cut through without crowding the mix. Alkaline’s Enjoy Yuh Life, Beenie Man’s My Life Nuh Easy, and Popcaan’s It’s Too Bad are the tracks that give the riddim its strongest personality, pairing the beat’s bounce with lyrical attitude and lived-in delivery. Jahmiel’s I. D. G. A and Gappy Ranks’ It Nuh Easy pull the same backbone in different directions, while Jafrass’ Flaas Boss and Fambo’s Live Tonight keep the energy rough and immediate. Merital’s I Feel To Party adds a lighter club touch, and Doza Medicine’s Bagga Gyal and Versatile’s Friend Till The End round out the set with more of that sharp dancehall pressure.

What makes Detoxx work is the balance between the instrumental’s stripped-down intensity and the range of voices riding it. Jason Brown’s Beat Dem Bad, with 12 Gauge and Kratos, pushes that tension a little harder, giving the riddim the kind of peak-time bite that made it a useful juggling for selectors and dancehall fans alike.